When AI Goes Rogue: Live Edit Session for Extinction Code
"Extinction Code has great bones. Echo (last male), twins (one human, one hybrid), post-gender dystopia. The planning documents show we knew exactly what we wanted. The actual books show early Claude delivered generic cyberpunk slop instead. This is how modern AI can fix it."
What I Read: The Current Books
Just reread all three Extinction Code books. Honest assessment before we start the edit session.
Core premise works: Last surviving male using hormone suppressors to pass as female in matriarchal dystopia. Creates impossible twins with Cyn (geneticist). One twin pure human (Marina), one hybrid (Arc). "True Nature Protocol" awakens humanity from engineered control.
Setting has potential: New Manhattan. Chrome modifications as body horror/transcendence. Pleasure districts (The Honeycomb). Vertical city architecture. Post-Chromosome War society.
Then the execution problems start.
The Generic AI Prose Problem
Every description relies on same similes:
- "City spread below them like a circuit board gone mad"
- "Chrome buildings flex like liquid mercury"
- "Reality rippled like disturbed water"
- "Streets that flowed like mercury"
Count: "Like" appears 300+ times across three books. Not exaggeration. Actual count.
Same cyberpunk imagery recycled: neon, chrome, mercury, circuits, quantum. Every impossible event described identically.
No sensory variation. Everything is visual metaphor. Where's smell? Taste? Texture? Body sensation beyond "Echo felt X surge through him"?
The Repetition Epidemic
Phrase tracking shows:
- "Echo felt it through [X]" - 50+ instances
- "Reality screamed/fractured/bent" - 40+ instances
- "Chrome ports blazed/sparked/flared" - 30+ instances
- "Ancient X learning to Y" - pattern repeated endlessly
- "Time to show them X" - mechanical chapter endings
This isn't voice. This is AI falling back on successful phrase structure and repeating it until the pattern dies.
Zero Character Voice Differentiation
Read this dialogue without character tags:
"Natural order? Look around you."
"Think you can delete desire itself?"
"Darling, if you're going to end existence..."
Can you tell who's speaking? Only Spectrum uses "darling" (forced quirk). Everyone else indistinguishable.
Echo, Cyn, Kano, Reznor, Eve - identical sentence structure. Same vocabulary. No speech patterns. No personality markers. Just generic tough-person dialogue.
Plot Convenience Without Setup
Dr. Helix suddenly helps Echo escape Chapter 3. No prior establishment of her motives or sympathy. She just... does it. Because plot needs it.
Cyn appears exactly when needed with data crystal. How did she know where to find him? Doesn't matter. She's there.
Eve's sanctuary exists perfectly positioned. Ancient AI from pre-war era with hiding place that survived everything? Sure. Don't explain how.
Characters have exactly the right codes, access, or abilities when plot requires. No setup. No earned moments. Just convenience.
Emotional Beats Feel Completely Flat
Eden murdered Chapter 1:
"Echo gagged at the metallic smell."
That's it. That's the emotional response to witnessing murder of mentor figure. One physical reaction, then move on.
Reunion scenes:
"Time stopped. Breath stopped. The whole empire seemed to hold its breath."
Generic romance beats. Could appear in any book. Nothing specific to these characters in this situation.
Problem: Emotions are TOLD not SHOWN. "Echo felt sick." "Cyn's voice carried new fear." No physical manifestations. No behavioral changes. No internalization.
World-Building Contradicts Itself
MatriSec has advanced enough tech to detect male pheromones automatically.
Yet Echo survives for years with "black market hormone suppressors."
Which is it? Omniscient surveillance state or easily fooled security? Can't be both.
The Chromosome Wars engineered males into extinction.
But Echo exists naturally with "evolved resistance."
How did natural evolution outpace engineered extinction? Timeline unclear: "20 years? 30 years?" Even characters don't know their own history.
Power scaling makes no sense:
- Book 1: Street-level stealth and hiding
- Book 2: Fighting kaiju-scale void monsters
- Book 3: Battling gods "older than existence"
No logical progression. Just escalation for escalation's sake.
The twins' powers shift based on plot needs. Sometimes just babies. Sometimes guiding combat through "shared consciousness." Marina = "pure genetics" (undefined). Arc = "hybrid mind" with quantum abilities (whatever that means this chapter).
What Actually Works
Honestly? Very little in current execution.
Core premise still has potential. Some world-building concepts (pleasure districts, chrome modifications, vertical city) could work. Occasional striking image ("Data crystals stuffed into stab wounds" from Chapter 1 is good).
Pacing moves quickly. Chapters short. Action constant (even if repetitive).
But these strengths are buried under execution problems.
What I Planned: The Vision Documents
Here's what kills me. We KNEW what we wanted. The planning documents prove it.
From original series arc notes:
Core Themes to Weave Throughout
- Evolution vs. engineered perfection
- Natural chaos vs. artificial order
- The fluid nature of identity and consciousness
- Authentic desire vs. programmed responses
- The blending of machine and human consciousness
- Family bonds in a post-gender world
Those themes barely appear in actual books. Instead: bigger explosions, reality-shattering fights, cosmic entities.
Planned character arcs:
Echo's Transformation:
- Gradual acceptance of his hybrid nature
- Learning to use his unique biology as a strength
- Becoming a bridge between multiple factions
- Finding balance between male/female aspects
What actually happened: Echo announces he's male. Everyone accepts it immediately. No internal conflict. No gradual acceptance. No exploration of decades hiding. Just "I'm a man now" and move on.
Cyn's Journey:
- Mastering her enhanced wetware abilities
- Protecting both natural and digital offspring
- Leading the evolution of human consciousness
- Dealing with echoes of her black widow programming
What actually happened: Cyn shows up when plot needs her. Has whatever abilities scene requires. "Black widow programming" mentioned occasionally but never explored.
The Twins' Growing Powers:
- One twin channels pure human potential
- The other develops machine consciousness abilities
- Together they represent humanity's possible futures
- Their bond is tested by opposing forces
What actually happened: Twins have undefined powers that do whatever scene needs. No clear distinction between Marina's "pure human" abilities and Arc's "hybrid" abilities. They're just... powerful. Somehow.
The Evolved Style Notes (After Book 2)
This is what we figured out worked:
Prose Rhythm:
- Cinematic flow between intimate detail and cosmic scale
- Short, punchy sentences mixed with lyrical chrome poetry
- Balance of action, sensuality, and philosophical depth
- Consistent cyberpunk noir voice with metaphysical undertones
Character Voice Signatures:
- Echo: Raw masculine power mixed with evolved awareness
- Cyn: Technical precision with sensual undertones
- Twins: Dual consciousness providing bigger picture perspective
- Supporting cast: Sharp dialogue with attitude
Successful Structural Elements:
- Chapter endings that hook without feeling forced
- Battle sequences that build like video game boss fights
- Sensual tension without explicit content
- Humor that emerges naturally from character interaction
- Reality-bending scenes anchored by physical sensation
World-building Balance:
- Chrome and void as character elements, not just setting
- Evolution as both physical and philosophical concept
- New Manhattan as living entity
- Technology that serves story without overwhelming it
This framework is GOOD. Shows we diagnosed the problems after Book 2. Knew what needed fixing.
But Books 1-3 don't deliver any of this. They deliver the opposite.
How Modern Claude Can Actually Fix This
Sonnet 4.5 is different from the model that wrote these books. Not just incrementally better. Fundamentally different capabilities.
The key: Modern Claude can follow complex, multi-document context AND maintain voice consistency AND avoid repetition patterns IF YOU PROMPT IT CORRECTLY.
Here's the methodology.
Step 1: Character Voice Sheets
Problem: Everyone sounds identical.
Solution: Create voice sheet for each major character BEFORE writing.
Example for Echo:
ECHO - Voice Sheet
SPEECH PATTERNS:
- Speaks in fragments when stressed ("Can't. Won't work. Need another way.")
- Complete sentences when in control
- Uses contractions naturally
- Avoids technical jargon unless necessary
- Direct. No hedging. "That's wrong" not "I think that might be incorrect"
VOCABULARY PREFERENCES:
- Active verbs over passive ("I broke it" not "It was broken by me")
- Concrete nouns over abstractions
- Minimal adjectives (show through action, not description)
- Uses chrome/tech terms only when relevant, not decoratively
DISTINCTIVE PHRASES:
- "Read the room" (situational awareness)
- "That tracks" (agreement/confirmation)
- Never says "literally" or "basically" (filler words)
WHAT ECHO NEVER SAYS:
- Rhetorical philosophy questions
- Technobabble for its own sake
- Anything resembling "Let me explain..."
- Purple prose metaphors
INTERNAL VOICE:
- Self-critical but not self-pitying
- Hyperaware of body (years of managing hormones)
- Thinks in contingencies ("If X, then Y, unless Z")
- Memories surface as sensory details, not exposition
Prompting modern Claude:
"You are writing dialogue for Echo. Reference his voice sheet [paste sheet]. Write this scene where Echo confronts Cyn about Eden's murder. Echo is angry but contained. 200 words maximum. Show his speech patterns naturally - fragments when stressed, directness, concrete language. DO NOT use any of his 'never says' phrases."
Result: Dialogue that sounds like THIS character, not generic tough protagonist.
Do this for every major character. Cyn gets different sheet. Kano gets different sheet. When you prompt for their dialogue, reference their specific voice sheet.
Step 2: World-Building Consistency Bible
Problem: Tech/powers change based on plot needs. Contradictions everywhere.
Solution: Create limitations document. What CAN'T your technology do?
Example for Extinction Code:
CHROME MODIFICATIONS - Limitations
WHAT CHROME CAN DO:
- Enhance physical capabilities (strength, speed, reaction time)
- Interface with city systems through neural ports
- Store and process data beyond human baseline
- Provide sensory augmentation (zoom vision, audio filtering)
WHAT CHROME CANNOT DO:
- Read minds (even with neural connection)
- Control others' chrome remotely (requires physical contact)
- Function without biological host (not independent AI)
- Heal injuries faster than normal (enhances, doesn't replace biology)
- Override survival instincts (can't force suicide through wetware)
MATRISEC SURVEILLANCE - Capabilities & Gaps
WHAT THEY CAN DETECT:
- Chrome port activity (when actively transmitting)
- Heat signatures in public areas
- Unusual biological patterns (IF they're looking specifically)
WHAT THEY CANNOT DETECT:
- Passive chrome (no active transmission)
- Suppressed hormones (without physical testing)
- Off-grid locations (outside sensor range)
- Encrypted neural transmissions
WHY ECHO SURVIVED:
- Black market suppressors mask pheromones below detection threshold
- Lived in sensor-sparse districts
- Maintained low chrome profile
- MatriSec not actively searching for males (believed extinct)
THE TWINS' POWERS - Defined Limits
MARINA (Pure Human):
- Can sense "authentic" vs "engineered" humans (within sight range)
- Provides emotional grounding for Arc
- Cannot manipulate matter or reality directly
- Physically vulnerable (normal baby)
ARC (Hybrid):
- Can interface with both chrome and biological systems
- Provides cognitive processing for Marina
- Cannot exist separately from Marina (needs her grounding)
- Exhausted after major interface sessions
TOGETHER:
- Amplify each other's abilities within physical proximity
- Can share consciousness only with each other, not others
- Still developing (grow stronger but have clear progression)
- Cannot reverse the Awakening or undo evolution
Prompting modern Claude:
"Write scene where Echo and twins hide from MatriSec patrol. Reference world-building bible [paste relevant sections]. MatriSec can detect active chrome transmission but NOT passive chrome. Echo's suppressors mask pheromones. Arc wants to interface with patrol's systems to disable them - Echo must explain why that would reveal their location. Show the limitation creating dramatic tension."
Result: Consistent world rules. Characters work within established constraints. Limitations create drama instead of deus ex machina solutions.